[Header]
Version=Nord Modular patch 3.0
0 127 0 127 1 9 0 1 4000 2 1 0 1 1 1 1 1 1 1 1 1 1 1 
[/Header]
[ModuleDump]
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10 4 2 18 
11 19 1 14 
12 10 0 24 
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15 84 1 20 
16 92 1 26 
17 31 0 28 
18 28 1 24 
[/ModuleDump]
[CurrentNoteDump]
64 64 64 64 64 64 
[/CurrentNoteDump]
[CableDump]
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3 12 0 0 5 0 0 
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2 6 1 0 1 1 1 
2 13 0 0 1 1 1 
2 15 0 0 13 0 0 
0 7 0 0 2 0 1 
0 7 1 0 3 0 1 
0 7 2 0 4 0 1 
0 7 3 0 5 0 1 
0 7 4 0 17 0 1 
1 8 1 0 1 2 1 
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[/CableDump]
[ParameterDump]
1 
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[/ParameterDump]
[KnobMapDump]
1 3 2 7 
1 7 4 5 
1 10 0 0 
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[/KnobMapDump]
[CustomDump]
1 
2 1 0 
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8 1 0 
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[/CustomDump]
[NameDump]
1 
1 Keyboard
2 LowNoteOsc 1
3 LowNoteOsc 2
4 OscSlvD1
5 OscSlvD2
6 ADSR-Env1
7 Mixer1
8 FilterE1
9 StereoChorus1
10 2 outputs1
11 MasterMixer
12 OscSlvB1
13 AD-Env1
14 OscSlvB2
15 AD-Env2
16 FilterF1
17 Noise1
18 LFO(Low Note)
[/NameDump]
[Notes]
Resonant Bass

April 21, 1998, Michael Bradford

Fat bass sound. Resonant filter is velocity-sensitive. Main components can be mixed
via knobs 2(Low bass),3(Fast attack square wave) and 4(slow attack square wave).
Noise is added with knob 6. Knob 5 controls noise color.

If you release a key before hitting a new one, the filter envelope of the slow attack
square wave starts over, but if you play legato, the filter stays open, giving you a
"backward" effect.

One of the "Low note oscillators" can be modulated by an LFO. The speed is
controlled by knob 7. The Depth (FMA) is controlled by knob 8. If you hold a note and
slowly turn up knob 8, you can go from a rumble to a really spacey whine.

[/Notes]