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Nosferatu

Joined: Jul 27, 2007 Posts: 234 Location: Planet Rock.
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Posted: Sat Aug 25, 2007 4:57 pm Post subject:
Buchla 261e mystery! |
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Are there anyone here with hands on experience with:
http://www.buchla.com/200e/261e.html
I dont really understand how it works, the sales info speaks of a modulation
oscillator! For example if the principal osc uses a sine and you modulate it
with a sine from the mod osc what hapends? FM, Waveshape, PD, AM,
wavetable scrolling a'la' PPG??
Perhaps anyone has a oscilloscope picture to share of said modulation?
It talks about a *multi dimensional voltage controlled timbre space*??
Hmm, i see now there are a MOD section for amplitude ,timbre and
frequency! |
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trent saburo

Joined: May 27, 2007 Posts: 2 Location: ann arbor
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Posted: Sat Aug 25, 2007 8:23 pm Post subject:
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The 261e is divided into two sections for the principal and modulation oscillators. The output of the modulation osc can be internally bussed to the frequency of the principal oscillator (FM), its amplitude (AM), or the gain into its waveshaper. Or, combinations of the three. No patchcords necessary.
The multidimensional timbre space refers to the multiple parameters present in the waveshaper section (timbre, symmetry, high order).
The 259e is similar in structure, but features two banks of digital waveshaping tables (with the ability to crossfade between the two), and the ability to internally modulate this parameter instead of AM. I like it more due to the capability for crazy, out-of-control digital noise with a healthy dose of aliasing. |
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mosc
Site Admin

Joined: Jan 31, 2003 Posts: 18503 Location: Durham, NC
Audio files: 266
G2 patch files: 60
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Posted: Sat Aug 25, 2007 8:29 pm Post subject:
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trent saburo
I missed your earlier post.
Your web site is quite interesting. I enjoyed very much your module demos on YouTube. There are a few similarities to the Klee Sequencer being developed by the DIY guys here. I love those "archaic" digital sounds.  _________________ --Howard
my music and other stuff |
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cbm

Joined: Oct 25, 2005 Posts: 381 Location: San Francisco
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Posted: Sat Aug 25, 2007 10:31 pm Post subject:
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I have some experience with the 261e; it's an extremely dense module. There are two VCOs, a Principal Osc and a Modulation Osc. The Mod Osc can track the Principal Osc, or be controlled independently.
There are three types of internal, patch-cord-less cross modulation available: Pitch, Timbre, and Amplitude. These can be on in any combination.
- Pitch is linear FM.
- Amplitude has a "null point" where it is really ring mod.
- Timbre controls the Timbre of the Timbre section (sorry for that lame description. See below for a little more)
The Timbre section of the Principal Osc has three parameters: Timbre, Symmetry, and High Order. Timbre adds harmonics as you increase the value. Symmetry controls how different one half of the waveform is from the other. High Order acts a little like a high pass filter. I don't think it really is one, as it can add harmonics, but it does shift the emphasis towards the high end, somewhat like a high pass.
All of the example on my Buchla page were done with the 261e: http://www.xfade.com/Buchla
I think it is a very capable waveform generator. Nothing else like it that I know of.
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Nosferatu

Joined: Jul 27, 2007 Posts: 234 Location: Planet Rock.
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cbm

Joined: Oct 25, 2005 Posts: 381 Location: San Francisco
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Posted: Sun Aug 26, 2007 6:02 pm Post subject:
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| Nosferatu wrote: | But are the 261e all analog? Or digital core with analog shaping?
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The 261e is sort of like the original 259 from the 1970s, but with the oscillator core replaced with a digital sine wave. The Timbre stuff is very reminiscent of the original 259, as is the basic topology of the waveform generator. The waveshaping on the modulation oscillator is pretty different, though I think for the better, on the 261e. |
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Nosferatu

Joined: Jul 27, 2007 Posts: 234 Location: Planet Rock.
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Posted: Wed Sep 26, 2007 4:36 pm Post subject:
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I have some additional questions!
1: On 261e there are two holes below the large frequency knobs, it seams to be trimmers, what do they trim?
2: Are the large frequency knobs quantized for easy octave/ratio settings as seen on the graphics's of the panel?
3: There are 4 chromate'd 3,5mm jacks atop the module two of them have a sign of a sine, what are these jacks output for?
4: There are two narrow black buttons just above the two large frequency knobs what do these buttons do if pressed?
5: Can you get your finger between the cv in knob and the shape knob?
6: You dont append to have a picture of the backside of the 261e ? |
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cbm

Joined: Oct 25, 2005 Posts: 381 Location: San Francisco
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Posted: Wed Sep 26, 2007 5:33 pm Post subject:
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| Nosferatu wrote: | | 1: On 261e there are two holes below the large frequency knobs, it seams to be trimmers, what do they trim? |
They're pitch calibration for the CV in jacks.
| Nosferatu wrote: | | 2: Are the large frequency knobs quantized for easy octave/ratio settings as seen on the graphics's of the panel? |
No, they sweep the freq range smoothly. One thing, which I initially hated, but quickly came to use all the time, is that these knobs are "cancelled" by an incoming MIDI note. This means that you have to offset your MIDI stream somewhere if you want to move the base pitch around. The 225e MIDI interface allows you to offset the MIDI pitches. The reason I like this knob behavior is that the knobs are still live, so that you can play a note over MIDI, and then jerk an oscillator around freely in pitch, knowing that the next note will be in tune.
| Nosferatu wrote: | | 3: There are 4 chromate'd 3,5mm jacks atop the module two of them have a sign of a sine, what are these jacks output for? |
Each oscillator has a sine out and an out that is from whatever further waveform processing available. For the Principal osc, this is the Timbre section, for the mod osc,this is the waveshaper. I find it quite useful to have the sines available.
| Nosferatu wrote: | | 4: There are two narrow black buttons just above the two large frequency knobs what do these buttons do if pressed? |
Not buttons. Fine tune knobs.
| Nosferatu wrote: | | 5: Can you get your finger between the cv in knob and the shape knob? |
I don't seem to have a problem with this.
| Nosferatu wrote: | | 6: You dont append to have a picture of the backside of the 261e ? |
No, the front side picture is the one from the Buchla site. |
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Nosferatu

Joined: Jul 27, 2007 Posts: 234 Location: Planet Rock.
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Posted: Wed Sep 26, 2007 6:44 pm Post subject:
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>The reason I like this knob behavior is that the knobs are still live, so
>that you can play a note over MIDI, and then jerk an oscillator around
>freely in pitch, knowing that the next note will be in tune.
Clever and peculiar!
>I find it quite useful to have the sines available.
Hmm, sort of dual outputs.
>Not buttons. Fine tune knobs.
Ahhh i see!! quite small ones.
Thanks for the quick reply! |
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drewskee

Joined: Sep 12, 2007 Posts: 15 Location: tenafly nj
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Posted: Thu Sep 27, 2007 8:11 pm Post subject:
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| Does anyone know if it is possible to change the audio mini jacks to banana jacks and if so how? I've been thinking of buying one or two of these oscillators to add to a Serge system. Any thoughts/ideas would be most appreciated! |
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cbm

Joined: Oct 25, 2005 Posts: 381 Location: San Francisco
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Posted: Thu Sep 27, 2007 8:27 pm Post subject:
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Mr. S -
I think that swapping the minis for bananas would be next to impossible. The minis are mounted to the panel p.c. board. Banana jacks are deeper than this, so anywhere there's a banana, there's hole in the panel board for it to poke through. Next time I pop one out of my case I'll take a look, but I'm pretty sure this is a non-starter.
-C |
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Peake

Joined: Jun 29, 2007 Posts: 1113 Location: Loss Angeles
Audio files: 3
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Posted: Thu Sep 27, 2007 11:33 pm Post subject:
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Aren't the control and audio paths purposely separated due to the relatively high DC voltages (15V, IIRC, from controllers in the older 200) versus the 1V or so audio path? To keep you from patching up a damaging pathway?
It's not a big deal in actual use. |
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drewskee

Joined: Sep 12, 2007 Posts: 15 Location: tenafly nj
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Posted: Fri Sep 28, 2007 1:04 pm Post subject:
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What about the Modulation Index Input Jack, knob and button above the Mod Osc?
1) Does this allow for you to inidvidually set the amount of Mod Osc -> Main Osc modulation for Timbre, AM and FM as well as allowing you to determine the amount/direction of modulation from a single external source to Timbre, AM and FM?
2) Or does the Index knob set the depth of Mod Osc -> Main Osc and the jack/knob combination allow you to modulate the DEPTH of Index with the external source either +/-? |
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cbm

Joined: Oct 25, 2005 Posts: 381 Location: San Francisco
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Posted: Fri Sep 28, 2007 1:41 pm Post subject:
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Your second choice.
The mod type button, with the three LEDs, sets the destination. It can be any combination of the three destinations.
The depth is controlled by the manual control, as well as an invertible, attenuated CV input. |
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drewskee

Joined: Sep 12, 2007 Posts: 15 Location: tenafly nj
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Posted: Fri Sep 28, 2007 2:15 pm Post subject:
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| cbm wrote: | Your second choice.
The mod type button, with the three LEDs, sets the destination. It can be any combination of the three destinations.
The depth is controlled by the manual control, as well as an invertible, attenuated CV input. |
Last follow up: can you set Mod Ocs -> Main Osc mod depth (Index) as well as depth/direction of the modulation input separately for Timbre, Am and FM? |
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cbm

Joined: Oct 25, 2005 Posts: 381 Location: San Francisco
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Posted: Fri Sep 28, 2007 2:30 pm Post subject:
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No, the depth is common to all three mod types. Like I say, you can have any combination of them, but they share a single depth amount.
At the risk of sounding like a broken record, this is an amazing oscillator. |
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Nosferatu

Joined: Jul 27, 2007 Posts: 234 Location: Planet Rock.
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Posted: Sat Sep 29, 2007 12:11 pm Post subject:
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| When FM'ing it does it THZ or just positive Lin? |
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cbm

Joined: Oct 25, 2005 Posts: 381 Location: San Francisco
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Posted: Sat Oct 06, 2007 2:03 pm Post subject:
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| Nosferatu wrote: | | When FM'ing it does it THZ or just positive Lin? |
Sorry I missed this question until now.
I'm not sure exactly how I'd be able to tell, but it sounds more like the linear FM you could get from an EMu modular VCO than what you would get from a DX-7.
-C |
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Nosferatu

Joined: Jul 27, 2007 Posts: 234 Location: Planet Rock.
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Posted: Sat Oct 06, 2007 4:09 pm Post subject:
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| Thanks! Then we know its Pos lin and not THZ. |
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blue hell
Site Admin

Joined: Apr 03, 2004 Posts: 24864 Location: The Netherlands, Enschede
Audio files: 353
G2 patch files: 320
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Posted: Sat Oct 06, 2007 6:23 pm Post subject:
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| Nosferatu wrote: | | Thanks! Then we know its Pos lin and not THZ. |
Or FM instead of PM?
See http://en.wikipedia.org/wiki/Phase_modulation , that lemma explains what PM is and so ... how Yamaha FM synthesis works
Anyway, there is a difference between FM and PM, and I think it to be audible. This BTW was also what my question in the "what do you want from your next VCO" thread was about. |
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Nosferatu

Joined: Jul 27, 2007 Posts: 234 Location: Planet Rock.
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Posted: Sun Oct 07, 2007 10:43 am Post subject:
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del Last edited by Nosferatu on Mon Nov 26, 2007 3:21 pm; edited 2 times in total |
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blue hell
Site Admin

Joined: Apr 03, 2004 Posts: 24864 Location: The Netherlands, Enschede
Audio files: 353
G2 patch files: 320
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Nosferatu

Joined: Jul 27, 2007 Posts: 234 Location: Planet Rock.
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Posted: Sun Oct 07, 2007 11:10 am Post subject:
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del Last edited by Nosferatu on Mon Nov 26, 2007 3:22 pm; edited 1 time in total |
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Nosferatu

Joined: Jul 27, 2007 Posts: 234 Location: Planet Rock.
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Posted: Sun Oct 07, 2007 11:12 am Post subject:
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del Last edited by Nosferatu on Mon Nov 26, 2007 3:23 pm; edited 1 time in total |
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blue hell
Site Admin

Joined: Apr 03, 2004 Posts: 24864 Location: The Netherlands, Enschede
Audio files: 353
G2 patch files: 320
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Posted: Sun Oct 07, 2007 11:19 am Post subject:
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| Nosferatu wrote: | But that is my Dream VCO thread!  |
I was a bit surprised by your question indeed  |
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