Joined: Mar 28, 2006 Posts: 1497 Location: Kansas City, Mo USA
Audio files: 45
Posted: Fri Feb 05, 2010 7:57 pm Post subject:
A Synthesizer work played on the filter Subject description: Inspired by JovianPyx
Have you followed the thread by JovianPyx? He has developed a synthesizer that uses filters as the sound source --- no VCOs. He posted some tracks that demonstrate this and it has a wonderful, almost organic, sound.
I liked the idea so much that I decided to try it on the Aries synth. Unlike JovianPyx's synth, the Aries is monophonic so I did some looping.
The only sound sources I used was the noise generator and the AR-339 filter. None-the-less, it is tonal music.
Joined: Mar 09, 2008 Posts: 1687 Location: Not here
Posted: Sat Feb 06, 2010 11:55 am Post subject:
Lovely tones. If you use a noise generator, though, can you say you've used only a filter as the source? Wouldn't that be ringing the filter, and then maybe combining and filtering that with other ringing filters?
Could use a bit of companding on the mix. Had to ride the gain a bit. But this is really good!
Joined: Nov 20, 2007 Posts: 1988 Location: West Red Spot, Jupiter
Audio files: 237
Posted: Sat Feb 06, 2010 12:58 pm Post subject:
If he put the noise through a VCA modulated by an EG, that could send a short "wad" of noise to the filter, it should then resonate until it dies out exponentially. The filter Q will determine the sustain time.
In fact, he should be able to excite the filter with just the EG. That is the way I did it in the PolyDrum.
Joined: Mar 28, 2006 Posts: 1497 Location: Kansas City, Mo USA
Audio files: 45
Posted: Sat Feb 06, 2010 2:33 pm Post subject:
To answer your question...
I patched the noise through a VCA and then into the filter. ADSR #1 controls the noise and, indeed, I little burst of noise rings the filter. I varied the ADSR settings to, at times, make the noise audible.
The filter Q can control the decay -- though this particular filter will self-oscillate at the highest Q setting. Thus, the filter output is patched through a separate ADSR/VCA pair.
I twirled knobs in the process of recording this to vary the amount of noise, the length of the initial noise burst, the filter Q, and the final Envelope generator. I controlled the filter frequency from the Aries keyboard.
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